I've been producing music from a young age.
I take pride at being one of the first people to build their own DAW-based home studio (early 90s), but equally regret missing the thrills of tape machines.
I've been working as an engineer, programmer, producer and a mixer in various settings, from Abbey Road Studios to ropey bedrooms.
But my real drug is sonic sculpturing. A drug that has led me to publish a book on the topic: Mixing Audio.
For 10 years now, I've been an academic teacher at the audio department of SAE London.
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